自信满满的男人正在撰写他的发言稿，他不时将想到的灵词妙句念给妻子听，妻子则心不在焉地鼓鼓掌，敷衍了事。夜深人静，妻子已经睡下，而我们的演说家仍对着镜子苦苦练习每一句话、每一个手势。他甚至幻想第二天的演讲将取得怎样轰动的效果，听众们全部按他的意愿喜怒哀乐。一想到这些，就令他兴奋和骄傲不已。 　　第二天，演讲如期举行，演说家在台上滔滔不绝。观众们起初还认真听讲，但晦涩难懂的语句逐渐让他们失去了耐心，私下里开始干着各自的事情……

A repressed philosophy professor grapples with lingering guilt over a decision from his past when the victim suddenly returns to his life.

The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

The year is 1879. Gunfighters from the far reaches of the globe descend on Religion, AZ to compete in a legendary poker tournament. Drawn by the gold prize, the players come to realize that in this game, their very souls are at stake.

It's foot-stomping, soul-searching music that has raised the roof (in a spiritual sense, anyway) more than once: gospel. Now, you can learn about the people who give voice to this thrilling contemporary sound in this packed video that includes the candid stories -- and music -- of such artists as Donnie McClurkin, Mary Mary, Dr. Bobby Jones, Karen Clark Sheard, Vickie Winans, T-Bone and many others.

In the summer of 2015, legendary musician David Byrne staged an event at Brooklyn's Barclays Center to celebrate the art of Color Guard: synchronized dance routines involving flags, rifles, and sabers. Recruiting performers that include the likes of St. Vincent, Nelly Furtado, Ad-Rock, and Ira Glass to collaborate on original pieces with 10 color guard teams from across the US and Canada, Contemporary Color is a beautifully filmed snapshot of a one-of-a-kind live event.

Rock My Religion is a provocative thesis on the relation between religion and rock music in contemporary culture. Graham formulates a history that begins with the Shakers, an early religious community who practiced self-denial and ecstatic trance dances. With the "reeling and rocking" of religious revivals as his point of departure, Graham analyzes the emergence of rock music as religion with the teenage consumer in the isolated suburban milieu of the 1950s, locating rock's sexual and ideological context in post-World War II America. The music and philosophies of Patti Smith, who made explicit the trope that rock is religion, are his focus. This complex collage of text, film footage and performance forms a compelling theoretical essay on the ideological codes and historical contexts that inform the cultural phenomenon of rock 'n' roll music.

A beautiful young woman sets her sights on an aging millionaire. She seduces him, and moves into his mansion with him. She soon tires of him, though, and after she gets rid of him, she goes after his son.